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Dr. Hollenbach鈥檚 current scholarly research focuses on craft as a 鈥渃ontact zone.鈥� Her historical research studies craft鈥檚 so-called 鈥渃ivilizing鈥� role within nineteenth-century Canadian settler colonial society. An important aspect of Dr. Hollenbach鈥檚 work on the colonial imperative in western craft is a consideration of the extractive and entitled logic that undergirds the appropriation of non-western cultural objects, materials, and techniques in modern craft without credit or consideration of historical and cultural context.

Another area of Dr. Hollenbach鈥檚 current research is a critical race analysis of contemporary amateur crafting cultures, especially 鈥渃raftivism鈥� (crafty activism), which interrogates the associations between femininity, middle-class social position, and whiteness within domestic crafts, leisure, and lifestyle activism. This research assesses how amateur crafting practices are tied fundamentally to the maker鈥檚 sense of self, and how that self is connected to local and global social formations and circumstances.